Trap

Writer / director M. Night Shyamalan‘s most annoying filmmaking traits are on full display in his latest movie “Trap,” a psychological thriller that initially promises an engaging narrative but ultimately collapses into the void of ridiculous twists and turns. This is far from Shyamalan’s finest hour, and the film rambles and sputters into one of his most unbelievable and absurd revelations yet, one that is so inanely dumb that it’s impossible to suspend disbelief. The story follows everyday dad Cooper (Josh Hartnett) attending an afternoon concert with his teenage daughter Riley (Ariel Donoghue). Lady Raven (Saleka Shyamalan) is the hottest ticket in town, and Cooper splurged on floor tickets to make his little girl happy. Things seem fine until they’re not, and it’s revealed that Cooper is actually a serial killer nicknamed Butcher. Turns out the cops have set up a complex police blockade at the show with the intent on capturing him, and it’s clear he has no way out. Forced to use his wits to evade and escape, Cooper comes up with a series of clever distractions in order to keep his deep, dark secret hidden away from the FBI agent and criminal profiler in charge (Hayley Mills). The first half of the movie is compelling enough, with a tense atmosphere and a buildup that hints at a plot that could have some sophisticated intricacies. It’s fun to watch how Cooper’s mind works, and it’s uncomfortable once you realize you’re rooting for a serial murderer to escape. This is done reasonably well and is the best part of the movie. The second half, however, derails spectacularly. The story becomes increasingly convoluted and nonsensical, introducing a series of ludicrous twists that undermine any semblance of coherence. This is bad even for Shyamalan. Hartnett does a great job with his performance and is tasked with playing two men in one. He’s believable as the calm and goofy dad, but also switches to a dark psychopath on a dime. He’s by far the best part of the movie. Of course, while Harnett’s performance is one of the most enjoyable aspects, one of the film’s most glaring flaws is the weak turn from Saleka Shyamalan. I don’t want to pick on her as she is the director’s own daughter, but the forced nepotism reeks here. Saleka can’t act, she’s a mediocre singer and songwriter (a half dozen of her original songs are prominently featured during a majority of the film’s run time), and the movie comes across as being made solely to showcase M. Night’s kid while trying to make her a star. Her performance is as unconvincing as Harnett’s is credible. With a contrived and nonsensical plot, bad performances, and an illogical twist that will leave you more frustrated than entertained, “Trap” is another disappointing effort from a director who could do so much better. By: Louisa Moore / SCREEN ZEALOTS