

Allelujah
When news of the closure of a small hospital's geriatric ward begins to reach the community, the hospital invites a local news crew to document their planning of a concert in honor of the hospital's most celebrated nurse. But there might be something more threatening to the hospital itself, more deadly than the politicians ready to shut down the place at a moment's notice.
Runtime
1h 39m
Language
EN
Budget
Undisclosed
Revenue
Undisclosed
Cast
Faces behind the story

Jennifer Saunders
Sister Gilpin

Bally Gill
Dr Valentine

David Bradley
Joe Colman

Russell Tovey
Colin Colman

Derek Jacobi
Ambrose

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Gallery
Frames that sell the world





Reviews
Audience signals
When a small geriatric hospital in Northern England is threatened with closure, the staff and patients rally together to try and save it. There might be a glimmer of hope with this task as the government consultant tasked with the final evaluation - "Colin" (Russell Tovey) has his estranged father " Joe" (David Bradley) in that self same facility. The place is run under the benignly imperious hand of "Sister Gilpin" (Jennifer Saunders) with Bally Gill's "Dr. Valentine" tending to their clinical needs. As you'd expect with Alan Bennett, this comes at you from the left of the political spectrum, and highlights what he sees as the short-termism of fiscally based decision making. To that end, Sir Richard Eyre has assembled a strong cast of formidable character actors to portray the patients. Most notable amongst them, for me, was Julia McKenzie and Bradley is also on great form as the curmudgeonly old gent coming to terms with his predicament and his successful, gay, son. There is plenty of dry humour, observational sarcasm to the fore and Saunders and Gill have quite a nice chemistry between them as they both strive to care for their elderly charges. I can't say that I loved the ending. It is thought provoking, but somehow seemed just a little over-dramatic and unnecessary. That said, though, the ensemble cast reminded me very much "Quartet" (2012) with strong leading characters and familiar faces at every turn helping to highlight the serious (and lighter) issues of the ageing process for both the older folks and for those charged with keeping them well. Not sure it really needs a cinema to enjoy, but it's still well worth ninety minutes.
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