

King Solomon's Mines
An action packed adventure, full of laughs and heroics.
Ever in search of adventure, explorer Allan Quatermain agrees to join the beautiful Jesse Huston on a mission to locate her archaeologist father, who has been abducted for his knowledge of the legendary mines of King Solomon. As the kidnappers, led by sinister German military officer Bockner, journey into the wilds of Africa, Allan and Jesse track the party and must contend with fierce natives and dangerous creatures, among other perils.
Runtime
1h 40m
Language
EN
Budget
$12.5M
Revenue
$15.1M
Cast
Faces behind the story

Richard Chamberlain
Allan Quatermain

Sharon Stone
Jesse Huston

Herbert Lom
Colonel Bockner

John Rhys-Davies
Dogati

Ken Gampu
Umbopo
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Gallery
Frames that sell the world






Reviews
Audience signals
_**No-holds-barred send-up of Indiana Jones with Richard Chamberlain and Sharon Stone**_ In the early 1900s a beautiful blonde, Jesse Huston (Sharon Stone), hires white hunter/adventurer Allan Quartermain (Richard Chamberlain) to find her father who went missing during his expedition to find the fabled King Solomon’s Mines in southeast Africa. Herbert Lom and John Rhys-Davies are on hand as heavies. Many moons ago I saw clips of “King Solomon’s Mines” (1985) and wrote it off as a campy knockoff of “Raiders of the Lost Ark” (1981), which of course was hugely successful and inspired several immediate imitations, like “Romancing the Stone” (1984) and “Firewalker” (1986). I thankfully finally decided to give it a chance because, while it IS a knockoff of “Raiders,” it’s the best I’ve seen so far. It’s at least as entertaining as “The Mummy” (1999), albeit not a blockbuster like that film. Before you check it out, you have to be braced for a Grade B send-up with the corresponding preposterous frolics. Yes, it’s like Indiana Jones, but more over-the-top with a lower budget. If you can get on board, this is a wildly entertaining fun-adventure flick that’s colorful, cartoonish and thrilling with impressive African locations. It bends over backwards to amuse with Victoria Falls, jungle portages, market-place romps, steam-engine escapades, wild animals (lions, crocs, snakes and a colossal spider), threatening cannibals, a hideous witch-queen, deadly swamps, hellish caves and more. I should add that the spider is only a few notches above the ultra-cheese you’d see on Gilligan’s Island. On the female front, Stone is stunning before she became famous and I’m not even a fan. The creators don’t fail to display her beauty in a tasteful way as her shorts get shorter and shorter. She has magnificent legs. The film runs 1 hour, 40 minutes, and was shot in Zimbabwe. GRADE: B+
H. Rider Haggard's "She" and "King Solomon's Mines" novels have proved the inspiration for loads of action adventures over the years, but I doubt even he would appreciate this derivative effort. In a style that's more akin to "Carry on Quatermain", we meet "Jesse" (Sharon Stone) who is trying to track down her lost long father. He set off into the jungles of ancient Sheba trying to find the legendary mines full of jewels. She engages the help of the legendary hunter "Quatermain" (Richard Chamberlain) and off they set on their quest. Meantime, the megalomanic Bosch colonel "Bockner" (Herbert Lom) has engaged the services of the duplicitous "Dogati" (John Rhys-Davies) for exactly the same purpose - and so it's a race! To be fair to Chamberlain, though a hero in the style of Stewart Granger, Harrison Ford or Sir Cedric Hardwicke he isn't, he does look like he's enjoying himself here in this mess of film as he chucks his dynamite hither and tither. Lom is also hamming it up as if he were back in his full "Pink Panther" pomp, but it's Stone who really let's the side down. She just doesn't seem to enter into the spirit of this romp at all enthusiastically. She's not got the enthusiasm of a Karen Allen nor the slightly aloof dignity of a Deborah Kerr and really contributes very little. JR-D is always in hIs element with these kind of roles and takes to it like a croc to water; a considerably more animated one than the actual ones we see that mix archive ferociousness with real time valerian. It hits the ground running with loads of adventures, but the CGI is pretty obvious before a denouement that's just crying out for a song. It's entertaining, in a perverted sort of fashion, but could never be described as good.
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